Mozart/Mozart, the newest blockbuster from Germany’s Story Home Photos, marks certainly one of Europe’s largest movie debuts at Mipcom on Monday and is the newest addition to Beta Movie/RTL’s hit Sissi The mastermind behind “Princess” (Sisi) has been boarded by the German ARD and its Austrian firm.
Additional information is that Clara Zoë My-Linh von Arnim, co-director of “The Zweiflers”, the perfect collection at this 12 months’s Cannes Movie Pageant and winner of the German Tv Award, will direct the collection .
Mozart/Mozart relies on certainly one of Europe’s largest IPs and is at present supported by ARD, Europe’s largest public broadcaster. It was created by Andreas Gutzeit, co-founder of Story Home Photos, the worldwide studio of the Bayerische Movie Group and showrunner on Sissi, in addition to Swanje Oppermann, employees author on Dignity and head of growth at Story Home.
Bavaria Media Worldwide will market the six-part present on Mipcom.
“Mozart/Mozart” is partly impressed by historic details. Maria Anna Mozart was hailed as a baby prodigy. She obtained prime critiques when she carried out along with her brother Wolfgang Amadeus. Even when she was pressured to cease performing in public when she reached marriageable age, she continued to compose, however her music was misplaced and was by no means carried out in public.
“Girls are sometimes erased from historical past, and ‘Mozart/Mozart’ reinscribes Maria Anna Mozart into historical past,” the creators mentioned. They accomplish that in an all-out plot that begins with Mozart, already a rock star, being relieved of his duties as courtroom composer at Salzburg after a very gorgeous efficiency.
Until Maria Anna married a person 20 years her senior, the Mozart household would face monetary break. As a substitute, the 2 fled to Vienna to compete for a commanding place on the courtroom of Emperor Joseph II. However then Amadeus injured his hand and fell right into a state of close to insanity. To be able to save the household’s funds, Maria Anna steps up and, with the assistance of Amadeus, pretends to be him – carrying a colourful wig and a loopy costume so nobody can inform him aside.
Maria Anna’s conducting received enthusiastic acclaim and located “Mozart”-like contentment and freedom, whereas Amadeus collapsed and burned, confined to a clinic. To complicate issues additional, Maria Anna additionally fell in love with Mozart’s rival Antonio Salieri.
“Mozart/Mozart” will go into manufacturing in 2025 and be launched subsequent 12 months.
“Mozart is a world model with a historical past of success spanning greater than 250 years. Mozart/Mozart continues that success with a wild drama about a unprecedented musician who grew up in her childhood. She was pushed out of the highlight as a lady, however she reclaimed her place as a girl in essentially the most extraordinary method,” Guzette mentioned.
The play is ready in 1780s Vienna, dominated by the Emperor, a unprecedented patron of the humanities. Town was the leisure capital of Europe and actually got here alive at night time, whether or not after unique performances by Viennese VIPs or at extreme events, the place total livelihoods have been gambled and opium was the quintessence of the period Coke, intercourse is a pleasure.
The promotional video hints that “Mozart/Mozart” shall be grand, luxurious, beautiful and wild.
“Our purpose was to recreate the feelings that individuals on the time might need felt listening to Mozart’s music, to permit the viewers to expertise the music as particular, transferring, and authentic, and to create a particular visible type that required boldness and a touch of punk ,” mentioned My-Linh von Arnim kind.
“On a musical degree it’s going to carry one thing actually new and edgy to the display, however it’s going to nonetheless be massively well-liked and accessible to trendy audiences,” she added.
“The visible ideas are very trendy and even fashionable at instances, nevertheless it by no means goes in opposition to the characters and their feelings. It simply elevates them and brings them and the drama out.
Consequently, the collection’ costumes and places shall be as gorgeous and jaw-dropping as its characters. “Maria Anna shall be a certain winner in her brother’s beautiful costume,” Guzette promised.
My-Linh von Arnim mentioned “Mozart/Mozart” can even have a really distinct upstairs/downstairs factor and can characterize Viennese avenue musicians as prominently because the courtroom gamers. “This distinction is entrance and heart within the assortment,” she noticed.
All of them insist that these collection of points are essential in the present day.
“Basically, it is a story of contemporary feminine empowerment, however not only a girl discovering her place. Maria Anna has to consider in herself, consider in her skills, and solely then can she develop her skills. That is very related to younger folks. The viewers may be very related,” Guzette mentioned.
Whereas Maria Anna disguises herself as a star in Vienna, Amadeus returns, his psychological well being and drug habit worsening as he fears he shall be changed by his sister.
My-Linh von Arnim famous that the collection can also be about “how to achieve success and revered as a girl nowadays, whereas on the identical time discovering your home in a relationship that’s basically a perpetual battle.”
Nonetheless, the Mozarts would discover that they labored significantly better collectively than aside.
Nonetheless, theirs is not the one sibling relationship within the collection.
Starting in 1780, Joseph II, thought of certainly one of Europe’s most interesting monarchs, put into apply Enlightenment concepts, similar to farmers proudly owning small plots of land, making him extra progressive than many European governments in the present day.
By his sister Marie Antoinette, who was married to the King of France, he grew to become concerned within the philosophical wrestle between the Austrian and French monarchies over how you can rule Europe. ORGANIZATION Marie Antoinette’s privileged place in Austria was actually threatened by her brother’s political agenda. She sabotaged her brother’s reforms.
“Mozart/Mozart” is aimed toward a normal viewers, particularly a younger viewers, and is about “household, concord, expertise and future, deviance and oppression, energy and abuse, hatred and love, and naturally music… quite a bit “Music,” Guzette mentioned.