“Chronicles of the Wasteland” directed by Viera Čákanyová, Barbora Sliepková and Lucia Kašová gained the New Horizons Award for essentially the most promising European venture on the Ji.hlava Documentary Movie Competition.
It comes with post-production companies price €15,000 (offered by UPP) and €5,000 (Soundsquare). You’ll find the complete checklist of winners right here.
“The primary concept for the movie got here from Lucia. The previous Minister of Setting of Slovakia promised to dismantle three poisonous landfills. We needed to comply with up on this. She urged that we direct it collectively. We are going to focus on these points collectively and concentrate on them a web site. sort After receiving the award.
“We every have a unique strategy, however we predict that may truly be a bonus. We’ll be doing it in three separate chapters; all of them have totally different visible and narrative kinds.
The upcoming hybrid documentary, produced by Anna Mach Rumanová and Martina Netíková for Filmsomnia in Slovakia and Cinémotif Movies within the Czech Republic, is at present in manufacturing with a premiere scheduled for spring 2026.
It compares with the so-called “Triangle of Demise” in jap Slovakia, the place three chemical vegetation are accountable for the most important PCB air pollution in Europe.
“At first, after the minister’s announcement, we anticipated one thing to occur, however nothing occurred. It prompted us to speak about forms and this sense of helplessness when you find yourself satisfied that nothing will change and nobody cares. This isn’t Priorities of any authorities, so sure – this can be a political movie,” Rumanova added.
Slipkova famous: “We aren’t investigative journalists, so though we comply with the case carefully and we discuss to the mayor and everybody concerned, we nonetheless needed to make an inventive movie. However our assertion is political, Whether or not it is a correct survey or a poem.
Regardless of their distinctive background, the tales they inform transcend Slovakia’s borders. New Horizons jury praised their “collaborative strategy to the topic” [that] It feels each inspiring and pressing.
“This isn’t just a few ‘native story’. Individuals in our governments, each within the EU and world wide, simply do not need to take duty for these items,” the director mentioned. Rumanova added: “What occurs to the setting impacts All of us. On this case, it truly impacts a big reservoir, one of many largest in Central Europe. Within the movie, Vieira explores the idea of mycelium. [root-like structure of a fungus] Connecting us all.
She famous that the predominantly feminine crew introduced another perspective to the case.
“It was much less authoritative and extra delicate. At first, it was an accident that we had these three feminine administrators and a feminine producer. Later, after I was searching for co-producers, I made a decision to proceed with this. It felt like Very pure.
She needed to guarantee that, regardless of its critical material, “Wasteland Chronicles” would nonetheless influence viewers.
“At any time when I do one thing, I think about displaying it to the folks straight affected by it. I need to give it again to them not directly, in order that the movie may be proven within the city subsequent to the scene. I do know Some may say, “Oh, one other film about an environmental theme. “However I am actually pleased working with my colleagues and I hope the viewers can be as effectively,” Slipkova mentioned.
In her chapter, she’s going to confer with Andrei Tarkovsky’s 1979 movie Stalker and its mysterious no-go zone.
“It is actually the ‘zone’ that I am in with my protagonist. The sounds are totally different, the smells are totally different.
“All of us have totally different issues. Vieira struggled, making an attempt to get to ‘her’ web site. It was non-public, so she discovered a artistic technique to work round it. Lucia found one thing very stunning. Essentially the most placing factor to me is the inactivity. There was whole paralysis across the location. Politicians go there each few months or years, take pictures and make statements, nevertheless it’s been that means for the previous 60 years. Strategies to eradicate it exist, however they’re very pricey.
Nonetheless, they tried to maintain their heads excessive.
“We aren’t overly unfavourable. We’re looking for some hope and options to this ecological unhappiness,” Rumanova mentioned.
“Individuals are drained. They do not need to speak about it anymore, actually not in entrance of the digital camera, they usually do not need to deal with the issue. They do not even need to protest – they’re exhausted. We need to begin this dialogue once more. That is our ambition.