A&E presents “Ol’ Soiled Bastard: A Story of Two Dirtys,” the primary official documentary concerning the iconic GRAMMY®-nominated musician and legendary founding member of hip-hop group Wu-Tang Clan.
Directed by Emmy and Peabody Award-winning director Sam Pollard (MLK/FBI, Darkish Arts) and his son Jason Pollard (Get Me Roger Stone, Bitchin’ The Sound and Fury of Rick James”) in a particular two-hour premiere airing Sunday, August twenty fifth at 9pm ET/PT on A&E. “Ol’ Soiled Bastard: A Story of Two Dirtys” premieres Sunday, August 25.
Produced by Pulse Movies (Beastie Boys Story, Meet Me within the Toilet), 4 screens and his property in partnership with GroupM Movement Leisure, “Previous Soiled Bastard: A Story of Two Soiled Basterds” affords entry to his closest family and friends, together with Mariah Carey, members of the Wu-Tang Clan Raekwon with Ghostface Killah, ODB’s spouse Icelene Jones, his son Bar-Solar Jones, his mother and father, file business executives and extra.
With never-before-seen private archives captured by his spouse, Icelene, this culture-defining particular humanizes ODB as a person, a father, and a husband like by no means earlier than. This definitive documentary offers an intimate look into ODB’s life and displays on his lasting influence on music and tradition.
Born Russell Jones in 1968 in Brooklyn, New York, ODB developed a novel character and rhythmic fashion that set him aside from his contemporaries. Throughout his temporary 35-year life and lengthy after his demise, ODB significantly influenced a whole era of followers and performers.
The documentary facilities on ODB’s solo profession, from the discharge of his first album in 1995 to his premature demise from a drug overdose in 2004. A contemporary narrative that appears again on the story of his traumatic childhood and examines the way it affected the individual and artist he would develop into.
Celebrating his artistry and legacy, this documentary unflinchingly examines the complexities of his life, together with habit, adultery, fame, psychological sickness, sudden wealth, race and prison justice, and raises questions concerning the function of the media in What a complicit drawback and the music business is hastening his demise.
